Showing posts with label entertainment. Show all posts
Showing posts with label entertainment. Show all posts

Monday, June 18, 2012

IT'S THE LITTLE THINGS: Tell Me Lies...


We've heard them all.  People use them all the time.  In fact, the advent of new kinds of media has been accused (accurately or inaccurately) of increasing the volume of them.  I'm talking about the art of telling lies. It goes back as far as Adam and Eve (you know when Eve asked Adam if her fig leaf made her look fat and he told her "No.").  Entertainers, Celebrities, Athletes and (duh!) Politicians have lied to us so many times that it's become "old hat" in our culture.  They've even told lies upon lies.  Some of them have become very inventive and creative in their lying that you just have to marvel at their dishonest artistry.  In my years as a so-called "Pop Culture Critic," I have deciphered that there are 7 types of lies that are the most common.   They also get used so often that they have become the hardest types to tell if they are in fact lies.  And for a Special Note, just to show that there is no form of political bias: ALL Politicians on both sides of the aisle have used EVERY one of these types of lies making neither side superior to the other.

The Flat-Out Denial - This is the obvious one.  It's like when the kid breaks his mother's vase and says: "I didn't do it."  Or when a notable criminal, who they have clear evidence of committing the crime, pleads "Not Guilty" in court.  It is fairly straightforward, but it is a type of lie nonetheless.

The Lie by Omission - Another really common one.  It's when a person withholds certain (most likely pertinent) information that is often in some shady gray area on the moral compass.  It probably stems from the hostile and antagonistic relationship between interrogators and suspects (you know: Anything you say can be used against you... or Just state your Name, Rank and Serial Number... and the like).

The Lie of Definitions - This is a term I coined myself when I was in High School.  Another term for it could be "Mincing Words."  And those who know me, know that I love a good "Word Mince."  Two of the best examples of it that I can think of are both political and were both in the 1990s (and were the impetus for the coining of the term!).  President George H. W. Bush infamously said in a speech that there would be "No New Taxes."  The important word in that statement being "New."  He didn't create new taxes, he just raised a lot of the older, already established taxes...for the middle and lower classes.  Later that same decade, President Bill Clinton sparked a national debate on the definition of "Sex" when he was asked if he had sex with intern Monica Lewinsky and said "No," meaning that he did not have sexual intercourse with her which (technically) was true.  He had, however, engaged in oral sex with the woman in the confines of the Oval Office.  In both cases, the Former Presidents weren't (technically) lying based on what they said, but the spirit of their statements were torpedoed by the actual truth.

The Little White Lie - This one is probably the most common as we all have done it.  And usually, it is not done with malicious intent.  More often it is done to spare someone's feelings or keep the peace between certain people (like families, friends or co-workers!).  The best example is when you go to see a friend's concert or stage performance and it is not very good, but you tell them they did a "Good Job!" just so they don't feel bad.  Its also often called "the tiny little fib."  It is not to be confused with...

The Snowball Lie - Also known as "The House that Jenga Built."  This is when you tell what you think is a little fib, but then you have to tell another lie to keep up with the original.  And then another.  And another.  And another until it becomes a lie to big to handle.  Conspiracies tend to fall in this category as, in most cases, they are made up of small (and sometimes NOT so small) lies to cover up one huge and usually illegal truth.  Sorry to say kiddies, but the whole "Santa Claus" myth tends to fall under this category.  Rather fitting when Santa and Snowballs come together!

The Inference Allowance - This one is often a combination of some of the types I've already mentioned.  And its such a gray area that it needs its own special category.  Its basically when you allow somebody to think something you know for a fact is not true, but you just don't correct them.  It can happen through omission, denial or pure semantics (re: mincing words!), but it does happen.  In popular culture, it often happens when a famed celebrity couple divorces.  Our media is so hungry for there to be a "bad guy" in the situation that one of the couple (most often the guy) allows the media to paint them as say a cheater or a deadbeat or an emotionally distant jerk.  Therefore, the public infers what they think is the truth (or more precisely what they've been told is the truth) and it is just never corrected.

The Lie to the Telemarketer - I do this one all the time...and I don't feel one twinge of remorse about it.  This is the most acceptable of all types of lies!  Who cares if one lies to a Telemarketer?  Its not like they're gonna come after you.  And even if they did, you could probably gather a whole group of people who would be on your side and they'd lie to protect you!

Now, you may be wondering: "What the hell does all this mean anyway?"  You're thinking that a lie is a lie and it doesn't matter whether its by omission or mincing words or a tiny fib, its still wrong.  And on some level, you're right.  But the purpose of all this is that in this day and age where everyone tends to lie (and even lie about lying!), dissecting the different types of lies might bring us all to a better understanding and weed out those who lie for their own gain (cause lying to a Telemarketer will always be acceptable!).  Now, for your listening and viewing entertainment, watch Fleetwood Mac's 1980s hit "Little Lies" because...well I need to finish this article with something!



Thursday, April 12, 2012

10 FAVORITES (55): Strangest Award-Winning Characters

Let's face it, some characters are just strange!  When I think of the many performances that have won Oscars, Emmys and Tonys over the years, I see that there is a wide array of characters from the very rich (Colin Firth in The King's Speech or Gwynneth Paltrow in Shakespeare In Love) to the working class (the casts of All In the Family or Cheers) to the struggling to survive (Nikki James in The Book of Mormon or Frances Ruffelle in Les Miserables).  But there have been several characters that have won these awards that would fall under the category of "strange."  Now when I say "strange," I am not referring to the circumstances surrounding the actor or actress' win (like when Marisa Tomei won for My Cousin Vinny!).  I am also not referring to characters who have a disability or are diagnosed as mentally ill/psychotic (sorry Hannibal Lecter!).  I am referring to characters whose eccentricities are a part of who they are and make the character that much more memorable.  So this week's 10 FAVORITES is devoted to...

THE 10 STRANGEST AWARD-WINNING CHARACTERS

CHARACTER #10
Guido Orefice, Life Is Beautiful
Roberto Benigni - Oscar for Best Actor, 1999
This is partly because the actor who won the award came off to the public as very very very strange.  He wrote and directed himself to an Oscar as a poor Italian man who woos a wealthy woman (whom he calls "Principesa") and goes on to have a son with her.  His clowning antics come in handy when he tries to shield his beloved son from the dangers and horrors of a Nazi Concentration Camp.

CHARACTER #9
Mary Poppins, Mary Poppins
Julie Andrews - Oscar for Best Actress, 1965
Who says a strange character can't be one of the most beloved from my childhood?  Yes, we delight in her "practically perfect" eccentricity.  But on face value, two kids brought up in strict Edwardian ways see a woman literally fly to their doorway and slide up the banister to greet them...I think eccentric is the "nice" way to put it.

CHARACTER #8
John (or Jean), Eugene Ionesco's Rhinoceros
Zero Mostel - Tony for Best Actor in a Play, 1961
Comic actor Zero Mostel played a man turning into a Rhinoceros in one of Ionesco's most unusual plays ('Nuff Said!).  He repeated that Tony-winning performance 13 years later in a film alongside his Producers co-star Gene Wilder.

CHARACTER #7
Truman Capote, Tru and Capote
Robert Morse - Tony for Best Actor in a Play, 1990 and Emmy for Best Actor in a TV Movie, 1993
and
Phillip Seymour Hoffman - Oscar for Best Actor, 2006
As a writer myself, I have to admit that we all are a little bit eccentric.  But genius author Truman Capote took eccentricity to a whole new level.  Just his very personality put some people ill-at-ease.  Robert Morse won both a Tony and an Emmy for Jay Presson Allen's play about the legendary writer (Tru) and almost 15 years later Phillip Seymour Hoffman wowed critics with his performance in Capote (the dark film about Capote's research for his infamous novel In Cold Blood).

CHARACTER #6
Dr. Dick Solomon, 3rd Rock From the Sun
John Lithgow - Emmy for Best Actor in a Comedy Series, 1996, 1997 & 1999
One of the best dramatic character actors (Terms of Endearment, Footloose) channeled his friend John Cleese when he took the part of an Alien assuming human form and studying our life habits.  John Lithgow won 3 Emmys for his stellar work as quite frankly one of the strangest college professors anyone has ever met (and judging by the average college professor, that is saying something!).

CHARACTER #5
Howard Beale, Network
Peter Finch - Oscar for Best Actor, 1977
We all know the catchphrase: He's "mad as hell, and he's not going to take it anymore!"  With that phrase Peter Finch's dynamic and all-over-the-map performance of a news anchor who goes from beleagured to god-like won almost every award of the season.  Finch, unfortunately, passed away before he could obtain that elusive Oscar.

CHARACTER #4
Cosmo Kramer, Seinfeld
Michael Richards - Emmy for Best Supporting Actor in a Comedy Series, 1993, 1994 & 1997
When it comes to strange characters, Kramer has to make the list.  It helps in this case that Michael Richards won 3 Emmys for his work during Seinfeld's 9 year run.

CHARACTER #3
Dr. Sheldon Cooper, The Big Bang Theory
Jim Parsons - Emmy for Best Actor in a Comedy Series, 2010 & 2011
Bazinga! With his back-to-back Emmy wins, Jim Parsons' performance as Sheldon Cooper is one of the reasons for this list (he was one of the first ones I thought of when I devised the category!).  His anal-retentive nature and his constant need to be right all the time makes it very hard for his friends to be around him and also makes him one of the funniest characters on Television today.  Just remember, don't sit in his spot!

CHARACTER(S) #2
Edith Bouvier Beale & Little Edie Beale, Grey Gardens
Christine Ebersole - Tony for Best Actress in a Musical, 2007
Mary Louise Wilson - Tony for Best Featured Actress in a Musical, 2007
and
Jessica Lange - Emmy for Best Actress in a TV Movie, 2009
The documentary about the mother and daughter (related to Jackie Kennedy!) and their dilapidated East Hampton home has been beloved by many fans of underground cinema.  Their fascinating life story has been turned into a critically-acclaimed musical (which won Tonys for its leading ladies!) and a critically-acclaimed HBO TV Movie (which won Jessica Lange an Emmy and co-star/producer Drew Barrymore a Golden Globe!).

AND...
CHARACTER #1
The Master of Ceremonies, Cabaret
Joel Grey - Tony for Best Featured Actor in a Musical, 1967 & Oscar for Best Supporting Actor, 1973
Alan Cumming - Tony for Best Actor in a Musical, 1998
When it comes to strange, I don't believe anyone can touch the oddity that is the Emcee from John Kander and Fred Ebb's most enduring musical.  Joel Grey enlivened this character to full effect (both on Broadway and on film) and the metaphor for Hitler and the Nazi party is quite prominent.  At times the character can be very over-the-top with his excessive garishness, but that's how he's supposed to be (just ask Alan Cumming, who winningly played him in the darker and more disturbing revival in the late 1990s).

Thursday, April 5, 2012

IT'S THE LITTLE THINGS: What Will Be Remembered?

Over this past weekend, I was on a little trip for a family gathering and a very interesting question was posed that I felt just had to be the topic of my next post: What media works of today will be remembered in about 50 years?  Now initially the question was referring to Television programs, but I decided to expand it into Movies, Music artists and (being a Broadway Baby!) Broadway shows.  In order to answer this question, I had to think of what (in each of those categories) is considered the most memorable and compare contemporary works to the legacy of those most memorable (it seems a bit unfair, but it is the best way to do it!).

Let's begin with Television.  When it comes to TV, no show will probably ever have the legacy that I Love Lucy has had.  Thanks to years of constant reruns and a multitude of people (especially women) singing the praises of Lucille Ball and her comic antics, the show has gained an iconic status that really no other TV series (sitcom or drama) will ever touch.  When you think of other shows over the years that can even come close, the "usual suspects" crop up: Bonanza, All In the Family, The Cosby Show, Seinfeld and even The Simpsons.  And of all of those, only the latter still has new episodes currently airing.  So what other shows of today even have a shot of being remembered in even 20 years?  Two of the first shows that popped into my mind (basically because of their unique qualities that are now trying to be copied on rival networks!) are the critically favored cable drama Mad Men and the extremely popular musical dramedy Glee.  But because of behind-the-scenes drama (on both shows!) and sagging storylines, the shows are showing signs of  trouble living up to their earlier successes and therefore may just end up becoming footnotes in the history of early 21st Century TV.  The same can be said for shows like 30 Rock or Modern Family (each universally considered two of the best sitcoms on Television today!) as they have had some trouble keeping the same "fire" they had in their respective first seasons.  And when it comes to dramas, most of the shows that are popular are police procedurals or part of a "franchise" like Law & Order or CSI.  Of the Reality TV contingent (cause let's face it, Reality TV will be remembered in some way or another!), the one with the clearest shot at memorability is American Idol as it has spawned a number of copycat shows which have become equally popular (re: The Voice or The X-Factor).  Only time will tell if any of these shows will even come as close to Lucy's legacy (or even Seinfeld's!).  The thing that has had a bigger impact on TV in the last ten years and will most definitely be remembered will be the advances in online viewing, in particular YouTube.  But that is probably a topic for another day, so on to the Movies!

When it comes to the classics in film, Oscar-winners like Gone With the Wind and Casablanca are two of the biggest icons.  In the late 20th Century, they were joined by films like The Godfather and Star Wars.  But of the films of today, the ones that make money are the surefire fan-based blockbusters like Avatar or the Harry Potter films or current box-office champ The Hunger Games.  And the ones that win awards lately have tended to be more charming or poignant independent fare like The Artist or The King's Speech or The Hurt Locker (the latter has the lowest box-office take of any Best Picture winner!).  Like I Love Lucy above, Gone With the Wind was a game-changer.  And when it comes to film, the game-changers get remembered.  Too many of the ones I just listed from the last 10 years are copying the same trends in which Hollywood studios just love to take part.  And when it comes to trends, just take a look at the Music business!

Elvis is the first name on a long list of Music icons we will never forget.  Among other members of that list include Michael Jackson, Madonna and, of course, The Beatles.  Like in movies, game-changers get remembered.  But does Lady Gaga or Justin Bieber count as game-changers.  Lady Gaga has the multitudes of Twitter followers, Bieber has the legacy of YouTube in his backstory and someone like Taylor Swift has the love and support of millions of little girls (despite the accusations of using auto-tuning!).  Compare them to the likes of more talented performers like Adele or Rihanna.  Or compare them to more controversial (yet still talented) artists like Kanye West or Bon Iver.  When it comes to Music these days, critical acclaim is taken into account as much as popularity.  And with so many possibilities, its hard to decipher which group or artist will be remembered with the likes of Elvis, MJ or even The Beatles.  

And on Broadway lately, money seems to be the all-important factor in being remembered.  Hell, its even the all-important factor in getting the big awards (Tony voters tend to chose the shows that will have the best chance of touring well!).  So the question becomes: Will a big hit with critics and audiences like The Book of Mormon ever be remembered in the same way as landmark musicals like Oklahoma!, West Side Story, Fiddler On the Roof or even long-running (and still going!) champ The Phantom of the Opera?

The ultimate point in all of these cases is that the shows, films and artists of today may never have the iconic status that their respective predecessors have had, but you can tell which ones have the best shot at getting into the proverbial "Time Capsule."  And trends are important.  Without them, pop culture would not be what it is.  However, it does seem to be the work that steps away from the trends (or perfect them in a way!) that get their place in the Pantheon of Great Media.