IT'S THE LITTLE THINGS: 2013 Oscar Predictions

It's still Awards Month!  And yesterday, the final ballots were due for the 85th Academy Awards (whether they want to call them that or not!).  So now it is time for me to give my final Predictions in the major categories.  And just like previous years, I like to hedge my bets, so to speak.  I love to tell my readers who I think "Will Win," but then follow with a "Dark Horse" or "Spoiler" (this year being referred to as "But...").  One comment you will see often throughout this article is that this has been one crazy Oscar season (for many different reasons!).  And with a crazy season, nothing is easy and anything can happen.  So let's dive right in with

MY 2013 ACADEMY AWARDS PREDICTIONS

BEST PICTURE
The Nominees: Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Misérables, Life of Pi, Lincoln, Silver Linings Playbook, Zero Dark Thirty
Category Overview: Just like last year, we have 9 nominated films in the top category.  However unlike last year where The Artist was the early front-runner and pretty much kept that status throughout the precursors, several of this year's nominees have enjoyed that honor in this crazy Awards season.  And now that all the precursor Awards have had their say and it seems like one film has emerged towards the winner's circle, I remind you that in a crazy season like this: anything can happen!
Will Win: Now that it has won ALL the Guild Awards (including the Actors and Writers!), Argo has placed itself into becoming the first film since Driving Miss Daisy (back in 1990) to win Best Picture without even being nominated for Best Director.  It is a favorite of the critics and audiences have rallied around Ben Affleck since his snub from the Director's branch of the Academy.
But...: It's not all over for Spielberg and Company!  Having the most nominations could still have weighed with Academy voters.  Some could feel that with all the Guild wins, Ben Affleck has been sufficiently compensated for the snub and it's now time to be more "traditional."  And as brilliant as Steven Spielberg's gem is, Lincoln does fall into the "traditional" genre that is better known as "Oscar Bait."

BEST DIRECTOR
The Nominees: Michael Haneke, Amour; Ang Lee, Life of Pi; David O. Russell, Silver Linings Playbook; Steven Spielberg, Lincoln; Benh Zeitlin, Beasts of the Southern Wild
Category Overview: With several high profile snubs in this category (Ben Affleck, Kathryn Bigelow, Tom Hooper, Quentin Tarantino and Paul Thomas Anderson), one would think that this would be an easy win for one of Hollywood's biggest power-players.  But as I said earlier, nothing in this Oscar season is easy.
Will Win: Despite a small band of detractors, Steven Spielberg is one of Hollywood's greatest directors and it surprises people that he only has TWO Academy Awards for Best Director (for Schindler's List and Saving Private Ryan).  This is the chance for Hollywood to give him his due and honor him with a well-deserved third Oscar for Lincoln (especially now with the likes of Ben Affleck and Kathryn Bigelow out of the race!).
But...: That small band of detractors are rallying behind Ang Lee and his stunning visual achievements in Life of Pi.  And it is possible that their arguments have swayed some of the Academy voters.  While I still say Spielberg has it in the bag, I wouldn't be too surprised should Ang Lee's name be read on Sunday.

BEST ACTRESS
The Nominees: Jessica Chastain, Zero Dark Thirty; Jennifer Lawrence, Silver Linings Playbook; Emmanuelle Riva, Amour; Quvenzhané Wallis, Beasts of the Southern Wild; Naomi Watts, The Impossible
Category Overview: Wallis is the youngest Best Actress nominee ever and Riva is the oldest (and each are receiving their first nod!).  The other three (Lawrence, Chastain and Watts) are receiving their second Oscar nomination.
Will Win: Jennifer Lawrence was an early front-runner in the category the minute Silver Linings Playbook premiered at the Toronto Film Festival.  With a Golden Globe and a Screen Actors' Guild Award under her belt, the young actress is on her way to Oscar glory.
But...: Lawrence is not the only one here with a Golden Globe Award.  Jessica Chastain, who gave a stunningly brilliant performance in Zero Dark Thirty, won both the Golden Globe and the Critics' Choice Award for her efforts as a determined CIA Analyst.  Though the "torture issue" surrounding the film might have made voters squeamish to give ZDT a high-profile prize.
However...: Both Chastain and Lawrence have lost a few critics' prizes (the National Board of Review and the L.A. Film Critics) and last week's British Film Award (BAFTA) to Amour's Emmanuelle Riva.  The French character actress has been a star in France for several decades and many have pointed out that this is her chance to be honored by Hollywood for her many years in French Cinema (and we know how the Academy loves to give "Career Oscars!").

BEST ACTOR
The Nominees: Bradley Cooper, Silver Linings Playbook; Daniel Day-Lewis, Lincoln; Hugh Jackman, Les Misérables; Joaquin Phoenix, The Master; Denzel Washington, Flight
Category Overview: Phoenix was an early front-runner, but spoiled his chances when he stated his true feelings about the whole campaigning process.  Jackman and Cooper both wowed audiences with their performances and Washington gave his best in a complex role (as he always does!).  But then there's Daniel Day-Lewis.
Will Win: From the moment critics and audiences saw screenings of Lincoln, the writing was on the wall that Day-Lewis would become the first performer to win a third Best Leading Actor trophy.  His performance is so nuanced and brilliant that no one can really compare to him (which is kind of unfair!).  The best description of Day-Lewis came from Entertainment Weekly's Owen Gleiberman who compared his style to a combination of the method attitudes of Marlon Brando and the classical training of Sir Laurence Olivier.  That's a combination that deserves every Award ever made!
But...:  There really isn't one in this category!  It's one of two major categories this year where there is a surefire front-runner from the word "Go."  The only thing that could stop Day-Lewis is a complete and utter shut-out of Spielberg's film.  But then who would the beneficiary of such a shut-out be?  The most likely would be either Jackman or Washington, and both of them have not gained enough traction in any of the precursors to be a real threat (despite Jackman's Golden Globe win!).

BEST SUPPORTING ACTRESS
The Nominees: Amy Adams, The Master; Sally Field, Lincoln; Anne Hathaway, Les Misérables; Helen Hunt, The Sessions; Jacki Weaver, Silver Linings Playbook
Category Overview: All of the actresses in this category have been nominated before (though three of them are new to the Supporting Actress category!).
Will Win: Is there any doubt that Anne Hathaway will win this one?  From the second her voice was heard in the trailer singing the iconic "I Dreamed a Dream" song, pundits placed her at the top of their lists for this category.  Then when the film premiered, critics (even the ones that didn't like the film!) fell in love with her tragedienne performance especially when they discovered she sang the song live in one take!  On top of all that, she has been the most gracious winner at the precursors.  She has given heartfelt speeches and sincere praise to her fellow nominees (especially Sally Field!).  She's become the kind of Oscar contender Academy voters just adore.
But...: Like Best Actor above, if there is a "Spoiler" here, it would be minute.  Sally Field gives a great performance as Mary Todd Lincoln in Steven Spielberg's film.  The fact that she had to fight to keep the role once Liam Neeson backed out of the project is the kind of story Academy voters love.  However, it's a story that is not unfamiliar in Field's career.  Back in 1979, she had to fight to get the title role in Martin Ritt's Norma Rae.  Her endeavors were rewarded with her first of two Academy Awards (the second came for 1984's Places In the Heart, another role for which she "fought").  She's been rewarded enough for fighting for her roles.  It's Anne Hathaway's turn!

BEST SUPPORTING ACTOR
Category Overview: This category is going to work a little differently!  This is the toughest category to predict.  Maybe the toughest ever!  ALL of the five actors nominated are previous Oscar champs (a feat which has never happened before!).  And none of the precursors have been any help to any of the pundits.  It seems like they predict one and then someone else wins.  So I will take you through each nominee and give you the reason why I can see ANY ONE of them taking the prize on Sunday.

• Alan Arkin, Argo - For many, Arkin was the scene-stealing best part of Ben Affleck's political thriller.  As the Hollywood producer who joins Affleck's CIA Agent in endeavoring to rescue some American Embassy workers from Iran, Arkin has the best dialogue and the best scenes.  He hasn't won any of the precursors, but he's been nominated for every single one.  And with Argo surging forward in the top category, it is not unlikely that some of that love could fall Arkin's way.
• Robert De Niro, Silver Linings Playbook - Out of all the nominees in this category, his win is the oldest (having won his second Oscar in 1981 for Raging Bull!).  Like Spielberg, it surprises people that De Niro (being the legend he is!) only has two Oscars.  And with his role as Bradley Cooper's tough-talking yet extremely sensitive and caring father, many critics felt that this was De Niro's return to form after years in light/comedic roles (Analyze This/That, Meet the Parents/Fockers, Stardust, etc.).  Actors love this movie (with nods in each of the Acting categories!) and De Niro could benefit from some of that love.
• Phillip Seymour Hoffman, The Master - Hoffman made himself an early front-runner with his role as a 1950s cult leader in Paul Thomas Anderson's poignant film.  He even won the Critics' Choice Award back in early January.  However with the film falling off the radar and only getting nods in three categories (the other two being Best Actor and Best Supporting Actress!), his chances have dimmed dramatically.  But he is the only contender who won a major Critics' prize.  That may carry weight with some of the Academy voters.
• Tommy Lee Jones, Lincoln - He won the Screen Actors' Guild Award for his stirring portrayal of abolitionist Senator Thaddeus Stevens.  Some have even said it was hard to tell where Stevens ended and Lee Jones began (which is both a positive and a negative!).  He is the category front-runner with most of the pundits, but he has fierce competitors.
• Christoph Waltz, Django Unchained - A lot of people felt he should be in the Lead category as he is the contender who has the most screen time in his respective film.  But as he is not the title character, Waltz (my personal favorite!) has been relegated to the Supporting field and has raked in a couple prizes to boot!  Waltz beat his co-star (Leonardo DiCaprio) at the Golden Globes and just last week was honored with the BAFTA in this category.  For someone who at first was not on the radar at the beginning of Oscar season, he has now moved himself in to major contender status.

Will Win: Any one of them could be the winner, but I guess I'll go with the majority (the 27% majority!) and say that Tommy Lee Jones will be the eventual winner.  But I go on record saying that any one of these five names could be read from that envelope by The Help's Octavia Spencer on Sunday night.

LET'S REVIEW: A Defense of Les Miz...

It's a brand new year and I thought it would be time to introduce a brand new column.  Occasionally, I will give my readers a review of a Movie, TV Series, Play or Book that is bouncing around in our Pop Culture consciousness.  And to begin, I thought I would open with the long-awaited film adaptation of the mega-hit stage musical Les Misérables, directed by The King's Speech's Oscar-winning director Tom Hooper.  The overall critical reaction to the film has been mixed.  But what I am seeing in most of the reviews, both negative and positive, is a not-so-surprising trend in the critics reviewing it.  The ones who really loved it (and there were quite a few!), were already in love with the musical from it's previous stage productions.  The ones who really loathed it (and there were quite a few!), did not like the stage musical already (which then begs the question as to why their respective publication would have them review the film version, but I digress!).  Now granting the fact that I am enamored with the stage musical already, it is not too far of a leap to believe that I was equally impressed with the film version.  I was.  But that is not to say I do not understand or disagree with some of the criticisms thrown at Hooper's adaptation.  In some of the cases, I see their points.  But in most of those cases, it comes down to typical critical nit-picking.  Is it the greatest stage-to-screen musical adaptation? No; not when films like My Fair Lady, West Side Story, The Sound of Music, Fiddler On the Roof and Chicago exist.  But is it the most disappointing stage-to-screen musical adaptation? Certainly not; not when films like Annie, The Wiz, A Chorus Line, Hair and The Phantom of the Opera exist. These are truly sad when you think of the talented directors behind each of those films: John Huston, Sidney Lumet, Richard Attenborough, Milos Forman and Joel Schumacher, respectively (I know Schumacher can be quite awful, but he's also had some good films!).  So LET'S REVIEW!

First and foremost, let's go through the most crucial thing when adapting a successful stage musical to the big screen: casting.  Casting a big brassy musical like Les Miz is made even harder these days particularly because of the expectations of the audience, the "non-acceptance" of lip-syncing (sorry Marni Nixon!), the boldness of the difficult score and the lack of truly talented "A-List" actors.  All that being said, Hooper could not have found a better Jean Valjean than Hugh Jackman.  For Les Miz (any production!), the strength of it ultimately lies on the shoulders of the actor playing Valjean.  As the central role of the story (which has been adapted more times than any Shakespeare play, thanks to its several French adaptations!), the actor playing Valjean has to run a gamut of emotions from convict to respected factory owner to unexpected father to man-on-the-run to willing revolutionary.  In the musical, add singing difficult songs like "Who Am I?" and "Bring Him Home" and you have a character that is extremely difficult to cast.  But in Hugh Jackman (known to audiences as Wolverine from the X-Men films), Hooper got an actor who uses every piece of himself as both an actor and a performer (he is, after all, a Tony Award-winning musical star!).  His voice is strong, his acting is perfect and his looks (which change throughout the film, spanning 20 years!) match every time.  It is truly the performance of his career.

But Valjean is not the only character crucial to the casting process of Les Miz.  As with most musicals, the female characters become the thing that Broadway purists and fans become obsessed over.  And thanks to the likes of a cherubic singer (and YouTube sensation) named Susan Boyle, the casting of Fantine is almost equally crucial to the casting of Valjean (even though the character only appears in 30 minutes of the entire 3 hour musical!).  Fans love this character (partly because the original 1985 London production cast Broadway legend Patti LuPone as Fantine!).  But once again, Hooper cast the proper person giving the performance of her career.  Anne Hathaway, who has shown her musical chops here and there on film before, truly transformed herself to play the tragic character that is Fantine.  And her rendition of the iconic "I Dreamed a Dream" is overwhelmingly impressive, especially when  you hear she completed the scene in one take (take that Sinatra!).  She IS the front-runner in the Supporting Actress category at every Awards this season (and should obtain an Oscar nod come Thursday!).

With Jackman and Hathaway taking most of the praise (albeit deserving!), most of the critics take their "vengeance" out on some of the other actors in the principal roles.  And in Russell Crowe, unfortunately, they have rather an easy target.  Unlike Jackman and Hathaway, Academy Award-winner Crowe is not extremely well-known for his musical "talents" (he has a rock band, folks!).  He also has never had the friendliest relationship with the press (he's had incidents with papparazzi that make Sean Penn look like a Care Bear!).  And in a role like Javert, expectations are very high (and in Crowe's case, almost unfairly high!).  You see, Crowe is obviously not used to or comfortable with this style of singing (usually known as "recitative").  He uses all of his intense method-acting skills to try to cover his discomfort and sometimes it works (other times...not really!).  But then I think to myself: Who else really could have played this role in this adaptation?  You see, there are certain criteria the studio, the creatives and the audience has in the casting of Javert...and each one's criteria is very different from the other!  Every adaptation of Victor Hugo's novel has a Javert that is of equal caliber in both ability and star quality to the man playing Valjean (since most versions are French, you're just going to have to trust me!).  You  need an "A-List" actor to play opposite Hugh Jackman's "A-List" casting of Valjean.  So run through the list of "A-List" actors in your mind who could: 1) Act the role of Javert (cause let's face it, he needs to be a quality actor!) and 2) Actually sing! And not just sing, but be willing to step outside a "comfort zone" and sing this style of music.  In that last respect, Crowe stepped up.  He's not perfect, which is unfortunate, but he is not so-bad-you-want-to-forget-he-was-cast-in-the-first-place (Gerard Butler, I'm looking at you!).

The rest of the principals fit their roles well.  Eddie Redmayne, who plays the lovelorn Marius, was the biggest surprise with a sweet and lush tenor voice and an emotional quality I rarely get out of most guys who have played Marius.  In the role of Eponine, Hooper took a chance and cast the unknown Samantha Barks (who has played the role on stage in the UK).  She is not only talented but extremely beautiful (which might sometimes work against the Eponine that exists in Hugo's novel, but who cares?!?!).  As the treacherous Thenardiers, Helena Bonham-Carter and Sacha Baron Cohen are well-cast.  I mean, they would be on my list if I were casting (so if you had problems with them, that's on you!).  Broadway star Aaron Tveit gives the Tony-winning role of Enjolras a mix of pretty-boy good looks and strong musical chops.  And as Cosette, Amanda Seyfried is fine (with what she has to do!).  I always feel Cosette gets the short end of the stick in the muscial as far as material goes.  I think that is why I have rarely seen a Cosette that can match the quality of either the original London Cosette (Rebecca Caine) or the original Broadway Cosette (Judy Kuhn).  So with that said, Seyfried (whose voice is surely not as strong as Caine's or Kuhn's) is pretty good and very pretty to watch.

And now on to the criticism that is at the forefront of most of the nay-sayers out there.  In The King's Speech, Tom Hooper used close-ups and the wide-angle lenses to give us the "fishbowl" quality of a royal life.  And even there, some people didn't like it.  In Les Miz, Hooper once again uses a ton of close-ups and strange angles to give us an intimate quality that he feels balances against the epic quality of the original story (and stage production!).  But I am going to venture another theory as to why this technique works and why Victor Hugo himself would have loved it.  With all the close-ups and strange tilted angles, we the audience feel extremely like a fly on that "fourth wall" that exists in both the theatre and the movies.  The audience is shoved right into the action and is right up close to the peasants and convicts and thieves and revolutionaries and whores of Hugo's world.  And Hugo would have wanted it that way.  The point of his original novel, Les Misérables, was to shove this world of poverty right in the faces of the bourgeoisie he so loathed in many of his works.  These close angles are supposed to give intimacy and a certain level of discomfort.  Hugo would have wanted nothing less.

So to all the negative critics out there, I say this is a great musical film adaptation that should be viewed by both fans of the original and those who are not familiar with the material.  I would love to see it on Oscar's list of Best Picture nominees come this Thursday!

CHRISTMAS SPECIAL! - The 12 Days of Pop Culture

For my final post of 2012, I thought I would do something special for Christmas (as it is in two days!).  I wanted to go through some of the things our wonderful Pop Culture has given us that are influences in my life.  Some of them are franchises, some of them are TV shows and some of them are just good plain fun!  So without further adieu, here is my special:

THE 12 DAYS OF POP CULTURE!

ON THE 12TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

12 Star Trek Movies

There is a theory that certain Star Trek films (Wrath of Khan, Undiscovered Country, First Contact) are better than others (The Motion Picture, Generations, Insurrection).  And though I don't really disagree, overall I would say this franchise has certainly made me quite happy (flaws and all!).  And with the 12th Trek film (Star Trek Into Darkness) coming out in Summer 2013, I will certainly be one of the "Trekkies" standing in line on opening day!

ON THE 11TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

11 Disney Princesses

Growing up with Disney as a major influence in my life, I certainly cannot ignore the numerous Princesses they have in their film line-up.  It was in the early 2000s though that someone in the Disney Marketing Department decided to turn these singing ladies into a diabolical money-making franchise.  They started with six initially (Snow White, Cinderella, Sleeping Beauty, Ariel, Belle and Jasmine).  They soon added Pocahontas and Mulan to the mix (despite the former only "technically" a Princess and the latter not being one at all!!!).  With the recent releases of The Princess and the Frog and Tangled, in came Tiana and Rapunzel.  And now with the Disney/Pixar flick Brave, lead character Merida will be added to the group come the new year.  (For those who agree with me and don't like counting Mulan, you can throw Enchanted's Gisele in her place despite that being mostly a live-action Disney film!)

ON THE 10TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

10 Seth MacFarlanes

It seems like Seth MacFarlane is everywhere now!  He had a hit movie over the summer (Ted) and will be hosting the 2013 Academy Awards (censors be on guard!!!).  And, of course, we cannot forget his immensely popular TV empire: his FOX Animated sitcoms Family Guy, American Dad! and The Cleveland Show.  Within this empire, MacFarlane himself voices 10 regular characters on all three shows together.  On Family Guy, he voices Griffin family members Peter, Brian and Stewie along with neighbor Glenn Quagmire, Carter Pewterschmidt (Peter's father-in-law), newsman Tom Tucker and Quahog's resident physician Dr. Hartman.  On American Dad!, he voices lead characters Stan Smith and alien Roger; while over on spin-off Cleveland Show, he voices neighbor Tim the Bear (if you've never seen the show, don't ask!).  That's a lot of personalities for one man to have inside him (and yes, I know what I just said!).

ON THE 9TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

9 Christmas Specials

In my childhood, Christmas was a time to watch some great Holiday TV.  And there were 9 Animated ones that were musts in my family.  There was A Garfield Christmas and A Claymation Christmas Special that were new during my childhood.  There were always the Rankin/Bass specials, of which 3 were the best: Rudolph the Red-Nosed Reindeer, Santa Claus Is Coming to Town and Frosty the Snowman.  There were two very important Animated versions of Charles Dickens' A Christmas Carol: Mr. Magoo's and Mickey Mouse's. But the two that were the most important were Dr. Seuss' classic How the Grinch Stole Christmas (not the Jim Carrey one!) and the beloved A Charlie Brown Christmas.

ON THE 8TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

8 Harry Potters

He's protected a stone, escaped a secret chamber, hidden a prisoner, "gobletted" his way through a tournament, joined an order, studied a half-blood prince and even faced death itself.  No matter how you cut it, we're just wild about Harry Potter!  Though J.K. Rowling only wrote 7 books, the people at Warner Brothers decided to split the final book into two installments.  Therefore, they gave audiences 8 chances to put the boy wizard with the lightning scar and his friends in film franchise history as the biggest money-making movie series of all time.  However, this has now spawned a bunch of copycats in that they want to split a book (or a series' final book) into two or three films (see Twilight, The Hunger Games and The Hobbit!).

ON THE 7TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

7 Star Wars Movies

Growing up, George Lucas' first three Star Wars films (Episodes IV through VI, if you're counting!) were like a religion in my household (thanks to my brother!).  And while the prequels have gone down as paling in comparison to the glory that is the original trilogy, I was still there on opening day of all three of those bastards!  And even though the Animated Clone Wars film made me want to throw an Ewok off the Endor moon, I'm still excited by the possibility of yet another Star Wars movie now that Disney has picked up the franchise and future development rights.

ON THE 6TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

6 Different Bonds

I already spoke this year about my appreciation for the James Bond films.  And on that list, there was at least one film of each of the six actors who have taken on the role of the superspy (especially in George Lazenby's case!).

ON THE 5TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

5 Muppet Show Seasons!

This one is fairly self-explanatory (and if it isn't, you can all brush up on your Googling!).

ON THE 4TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

4 Jack Sparrows

Who knew Disney could manage to make a lot of money and some pretty exciting films (though the fourth one is kind of a tedious vehicle!) based on a singular Disney ride?  The popular attraction has now resurrected Johnny Depp as a bankable movie star and produced some very interesting characters (from Orlando Bloom's Errol Flynn-like Will Turner to Keira Knightley's lovely Elizabeth Swann or Geoffrey Rush's opportunistic Barbosa to Ian McShane's wicked Blackbeard!).

ON THE 3RD DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

3 Frodo Films

With the first of Peter Jackson's three Hobbit prequels out this month, I was greatly reminded of Jackson's brilliant trilogy which basically began the 21st Century.  All three films got nominated for the Best Picture Academy Award in their respective years and the final installment triumphed in winning all 11 of the categories for which it was nominated (including Best Picture!).

ON THE 2ND DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

2 Brothers Grimm

This one has a double meaning!  It is true that there were two Grimm Brothers (Jacob and Wilhelm) who helped to popularize the classic folk and fairy tales for Western Culture.  And it has been said that the two brothers were completely different in personality.  It is believed that elder brother Jacob, the philosopher, had an affinity for the darker side of the tales; while younger brother Wilhelm had a yen for the romantic side of them (as Romanticism was becoming quite popular throughout Europe at the time!).  And now it seems that things have come full circle as two extremely popular and extremely different drama series air on TV.  On NBC, Grimm modernizes the tales and fits them more into a dark and gritty crime procedural that Jacob might have enjoyed.  Meanwhile over on ABC, Once Upon a Time's modernization is mixed with the romanticism (and serial soap opera-style) of the fairy tale world that would have appealed to young Wilhelm.

AND..

ON THE 1ST DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...

A Road Made of Yellow Brick!

And what Holiday season would be complete without a trip over the rainbow?  During my childhood, L. Frank Baum's glorious and magical land of Oz was quite a favorite of mine.  It was brilliantly showcased on the big screen in 1939's classic movie musical (a gem for all to see!) and has been adapted in several ways from books (novels and comic books!) to the stage (see Wicked!).  Sometimes I feel all I need is a walk down a Yellow Brick Road to make me feel in good spirits.  Perfect for any season (Holiday or no Holiday!).

HAPPY CHRISTMAKWANZUKUH!

AND SEE YOU ALL NEXT YEAR!

IT'S THE LITTLE THINGS: Oscar Season Begins!

Clockwise: Sally Field and Daniel Day-Lewis in Lincoln; Alan Arkin and Ben Affleck in Argo; Stephen Dillane and Jessica Chastain in Zero Dark Thirty; Anne Hathaway in Les Misérables

Well readers, it's been a month since my last post and it was a very well-deserved vacation!  And now that we are heading into Winter, there is one thing that is on everyone's mind in Hollywood: The Oscars and who will be nominated this time around.  The nominations will not be announced until the morning of January 13th and it is during the month of December that those ballots will be filled out by Academy voters as to which of this year's films deserve the top prize.  Because the Oscars have moved their schedule up an entire month, all the other awards on the circuit have tried to accommodate that with the Golden Globes (the most high-profile Oscar precursor) announcing their nominees next Thursday.  So which films are the front-runners in the race to be nominated for the biggest award?  Well there are certainly a few.  And with the Academy's new rule that allows for anywhere from 5 to 10 films to be nominated for Best Picture, the race has become that much harder to predict.

However, amid all the predictions are 3 films that are definitely going to be in prominent contention come Oscar night.  When Argo was released in September, Ben Affleck received the best reviews of his career (as a director, actor and co-screenwriter).  His thrilling and suspenseful adaptation about a secret CIA mission to retrieve American Embassy workers during the 1979 Iran Hostage Crisis was far and wide considered a surefire bet for Best Picture.  In addition to Argo, critics then lauded the most recent Steven Spielberg film, Lincoln.  In this stunning political biopic, two-time Oscar winner Daniel Day-Lewis has received raves for his role as the 16th President of the United States and is in definite contention for a third Best Actor statue.   But the buzziest film of 2012's Oscar season has yet to be released for audiences.  Academy Award winner Tom Hooper's adaptation of the iconic stage musical Les Misérables has been receiving Oscar buzz ever since the first trailer appeared in theaters over the summer (especially for Best Supporting Actress contender Anne Hathaway) and will not be released until Christmas Day.  So at this time, I have seen both Argo and Lincoln and can assure you that both deserve the attention they are getting.  I will soon be seeing Les Misérables (thanks to a perk, I'll get to see it a week before Christmas Day!), so I will be able to let you know if the buzz is correct in placing it alongside the other two.

But in the last few days, another film has been getting attention that most likely would have belonged to the three films mentioned above.  Kathryn Bigelow, who two years ago made history when she became the first woman to win the Best Director Oscar for The Hurt Locker, has made yet another topical film that has captured awards attention.  And that film is Zero Dark Thirty, Bigelow's adaptation of the operation that took down Osama Bin Laden.  Over the weekend, the New York Film Critics named Bigelow's movie the Best Picture of the year with the National Board of Review following suit just a few days later.  The National Board of Review also named Bigelow Best Director and star Jessica Chastain as the year's Best Actress.  However, my father pointed out that these wins may have more to do with the movie's subject matter than with the merits of the movie itself (even if it is a great film!).  But with these new developments, I would not be surprised to see Zero Dark Thirty (a film I have yet to see and now have more interest in seeing!) among the top contenders come Oscar time.

There are two other films that are getting mentioned (at least by the critics) when it comes to the contenders for Best Picture.  One is David O. Russell's dark relationship comedy Silver Linings Playbook which stars Bradley Cooper and Jennifer Lawrence as two people with deep personal problems who connect with each other despite several differences.  The film is being hailed across the board and Lawrence is considered the top front-runner for Best Actress.  And Bradley Cooper shouldn't be out of the mix either having won the National Board of Review's Best Actor award (over Daniel Day-Lewis!).  The other film being mentioned is Ang Lee's sweeping Life of Pi, which garnered much praise after being viewed at the New York Film Festival.  Several critics pegged it as a surefire Best Picture contender.  And with Ang Lee's previous Oscar pedigree (winning Best Director in 2006 for Brokeback Mountain and Best Foreign Language Film in 2001 for Crouching Tiger, Hidden Dragon), it has a pretty good shot with the critics behind it.

Now I could leave these predictions at six films, but what kind of Oscar predictor would that make me?  There are several other films that are being mentioned on message boards (and by a few critics).  There's Paul Thomas Anderson's faux-Scientology drama The Master (which won at the Cannes Film Festival) and Benh Zeitlin's critically-lauded Beasts of the Southern Wild (which won at Sundance).  The Denzel Washington-led Flight and Quentin Tarantino's new film Django Unchained (which is an homage to "Spaghetti Westerns") are also audience faves (even though Django Unchained is yet-to-be-released!) Let's not forget the Foreign Film Amour, which won Europe's top Film prize and is on several critics' top 10 lists.  And among all these typical awards-fare, three franchise films (or genre pics!) are being thrown into the conversation.  Christopher Nolan's The Dark Knight Rises, Peter Jackson's The Hobbit: An Unexpected Journey and Sam Mendes' Bond film Skyfall are all on some lists when talking about Best Picture.  All this said, it shall be a very interesting mix of movies being lauded at the Academy Awards this time around.

10 FAVORITES (66): Bond James Bond

In one week, the 23rd film in the James Bond movie franchise will be released.  Directed by Academy Award-winning director Sam Mendes and starring Daniel Craig (in his third outing as 007!), Skyfall has been long-awaited after financial difficulties with MGM Studios and script concerns (with Peter Morgan leaving to be replaced by John Logan).  The anticipation for this film has been stirring for a while (especially since Craig's appearance alongside Queen Elizabeth II in the 2012 London Summer Olympics Opening Ceremonies!), it now seems that everyone has Bond-fever.  Both Craig and Logan have already signed on for two more Bond movies following Skyfall and most box-office prognosticators predict that the film shall be one of the biggest openings of November (second probably to the final installment of The Twilight Saga).  But being as this is the 23rd cinematic Bond outing, I thought that maybe this week I would discuss some of the superspy's previous adventures and which ones were his absolute best.  So this week's 10 FAVORITES is dedicated to:

THE 10 BEST BOND FILMS

BOND FILM #10
On Her Majesty's Secret Service (1969)
James Bond played by: George Lazenby
Theme Song sung by: Louis Armstrong
I know you might want to laugh at this moment and you may even want to click to another site, but hear me out first!  George Lazenby had a very tough act to follow when Sean Connery decided to forgo playing 007 in the sixth Bond film.  Is Lazenby great? No, but he's not horrible and who could compare to Connery at that point? No one else had played the role (in any serious way).  Lazenby is helped by a very good supporting cast (which includes Diana Rigg and Telly Savallas) and a well fleshed out script (from one of Ian Fleming's short stories about Bond!).  Lazenby ends up getting a bad rap mainly because of the shoes he had to fill that he just (as simply a former model and not a seasoned actor) could not fill.

BOND FILM #9
Thunderball (1965)
James Bond played by: Sean Connery
Theme Song sung by: Tom Jones
This was Connery's fourth film as 007 and after the first three (which we'll get to!), you could see the strains of the franchise beginning.  But this slightly convoluted spy film (I mean what spy film isn't convoluted?!?) is still entirely enjoyable.  Plus the Tom Jones theme song sets you up for adventure...of the underwater kind!

BOND FILM #8
The Spy Who Loved Me (1977)
James Bond played by: Roger Moore
Theme Song sung by: Carly Simon
This was Roger Moore's third time in Bond's shoes and I almost added The Man With the Golden Gun (Moore's second Bond film) to this list.  But its this film's story that I have always found fascinating.  Even though there was an actual Ian Fleming novel with this title, the story of the film is in no way related to the narrative of that book.  Here, they have an evil recluse (played brilliantly by Curt Jurgens) trying to destroy the world and create a new one underwater (called Atlantis!) that revolves all around him.  It features another great Bond girl (Barbara Bach as the Russian Anya Amasova who allies with Bond) and an infamous villain sidekick (who can forget Richard Kiel's metal-mouthed Jaws?!?).

BOND FILM #7
Dr. No (1962)
James Bond played by: Sean Connery
Theme Song played by: The John Barry Orchestra
This was the first, the original, the "shot heard round the world" (so to speak!).  It perfectly set up the character as we know him (who doesn't remember the first time Sean Connery spoke the name "Bond James Bond?") and it has one of the most famous Bond girls of all-time (Ursula Andress grrr!!!).  This one's placement on this list is a no-brainer.

BOND FILM #6
Licence to Kill (1989)
James Bond played by: Timothy Dalton
Theme Song sung by: Gladys Knight
I may take a lot of flack for this one, but I really enjoyed this film (a lot more than Timothy Dalton's earlier Bond film The Living Daylights, yuck!).  And I think what I liked about it was the pacing and the mood.  It felt like a series finale.  And for a few years after this film came out, it felt like they were never going to do another Bond film again.  That might have to do with the fact that the year this film came out, it was up against other franchise fair like Back to the Future II, Lethal Weapon 2, Indiana Jones and the Last Crusade, Batman and The Little Mermaid.  With those films making most of the box office money in 1989, its no wonder MGM considered this to be the last Bond film...for the time being (but we'll get to that in a bit!).

BOND FILM #5
Live and Let Die (1973)
James Bond played by: Roger Moore
Theme Song sung by: Paul McCartney
This was the first time Roger Moore stepped into the Bond role and it was very different from previous ones.  Here Agent 007 was up against the trappings of Caribbean voodoo and the mystery found in those American islands.  Moore proved himself quite up to the task of taking over for Connery and he had some great support.  Yaphet Kotto was well cast as the imposing villain Dr. Kananga and Jane Seymour (in her first major film role) is both sensual and mysterious as the psychic Solitaire.  And the thrilling theme song by Paul McCartney just empowers you!

BOND FILM #4
Casino Royale (2006)
James Bond played by: Daniel Craig
Theme Song sung by: Chris Cornell
There was a lot riding on this film.  It was based on one of Fleming's most famous 007 books which had never really had a serious film adaptation (a 1954 television episode and the satirical 1967 film do not count!).  It was also introducing a new actor as Bond, an actor that many people had never really heard of before.  But in the hands of director Martin Campbell (who had directed Goldeneye) and screenwriters Neal Purvis and Robert Wade (who have been with the franchise since The World Is Not Enough and have worked on the script for Skyfall alongside John Logan), this adaptation fully satisfies Bond fans who have been waiting for this title to be seriously adapted.  It was a good choice for Purvis and Wade to ally themselves on this film with Academy Award-winning screenwriter Paul Haggis (of Million Dollar Baby and Crash fame).

BOND FILM #3
From Russia With Love (1963)
James Bond played by: Sean Connery
Theme Song sung by: Matt Monro
When dealing with a superspy character that was created during the Cold War, at some point the films are going to have to deal with Soviet antagonists.  So the producers ventured the subject matter in the second Bond film and did so quite brilliantly.  It is highly considered one of the best Bond films of all time and it has one of the best screenplays with really well-developed characters.  Connery was becoming more comfortable in Bond's skin and it clearly shows.  Plus the villains are so well cast.  Robert Shaw gives a breakout performance as an assassin after Bond.  And then there's Lotte Lenya, who practically steals the movie as the truly ruthless Rosa Klebb.

BOND FILM #2
Goldeneye (1995)
James Bond played by: Pierce Brosnan
Theme Song sung by: Tina Turner
As I said before, in the early 1990s the studio considered not doing anymore Bond films.  But with growing interest and the casting decision of Pierce "Remington Steele" Brosnan, this became one of the most profitable and most enjoyable of 007 films.  Again, Bond is up against Soviet holdouts from the Cold War and has to stop a dangerous nuclear device from destroying the world.  But the addition of (SPOILER ALERT!) the traitorous Alec Trevelyan (known at MI-6 as 006!) played perfectly by Sean Bean was just the kick this Bond needed to make him fascinating.  It also didn't hurt that Famke Janssen played one of the more shall we say "interesting Bond girls," Xenia Onatopp (the deadliest legs in the Bond universe literally!).

AND...
BOND FILM #1
Goldfinger (1964)
James Bond played by: Sean Connery
Theme Song sung by: Shirley Bassey
What can I say?  Everything about this Bond film is perfect.  It has the best Bond actor (Sean Connery IS AND ALWAYS WILL BE 007!).  It has the best Bond girl (Honor Blackman as Pussy Galore...'nuff said!).  It has the greatest Bond villain (Gert Frobe is amazing as Goldfinger despite the German actor's voice needing to be dubbed by British actor Michael Collins).  It has the best villain sidekick (Oddjob and his deadly hat!).  And it has the greatest Bond theme song (belted by the amazingly talented Shirley Bassey!).  It is a brilliant piece of Bond cinema and is extremely hard to top!

Will Skyfall join this list?  Will Adele's already amazing theme song join the annals of great Bond themes alongside the likes of Shirley Bassey, Tina Turner, Paul McCartney and Tom Jones?  We will have to wait until next week to find out.

10 FAVORITES (63): Back to School

It is that time of year again! Yes, it is time for that ever-anticipated Back to School season (at least in the United States).  For most schools, the last two weeks in August and/or the first week of September serve as the beginning of a new year for teachers, faculty, students and parents.  So as we are steep in the middle of this (often) chaotic time, I wanted to do something that would celebrate it.  And what better way to celebrate it than to devote an entire 10 FAVORITES to films about school?!?!  When I was putting my list together (with the help of my Father, who is an Elementary school principal and an avid film buff!), I decided that I would limit the films that I chose.  First of all, I felt College films shouldn't count (I mean, I don't need a list to share with everyone any appreciation I have for Good Will Hunting and Animal House!).  Second, I wanted the films to mainly feature the school in a primary way (not just as a setting, but as a plot point or even a character within the film!).  And lastly, and probably most importantly, I wanted the films to be good. Now I realize that when you put a qualification like that on any movie or TV show, it is completely subjective.  But it's my list so get over it.  However, that does not necessarily mean that a film that doesn't make the list is bad or horrible, it is just a distinct possibility.  With that said, on with the list.

THE BEST "BACK TO SCHOOL" FILMS

HONORABLE MENTION
Grease (1979)
I'm not a huge fan of this film.  I don't hate it, but I don't necessarily love it.  Why is it here then?  I just cannot deny the popularity of this musical phenomenon.  Wherever you go, people have seen Grease and they have strong feelings about it (be they positive or negative).  It is performed everywhere from High school to College to Broadway (the musical has endured two hit revivals and constantly tours!).  It is a freakin' juggernaut that cannot be ignored.

MOVIE #10 (TIE)
Mr. Holland's Opus AND Dangerous Minds (both 1995)
I put these two movies together because they came out in the same year and they had both had a similar premise.  Yes, Dangerous Minds is about Michelle Pfeiffer inspiring her students in an inner-city school through poetry and literature, while Mr. Holland's Opus is about Richard Dreyfuss inspiring his students (each different in their own way) through music and art.  But the major point is that both films were about the effect a teacher can have on their students, especially if they care in the way both Pfeiffer and Dreyfuss' characters do.  Both films were received well and Dreyfuss even netted an Oscar nomination for his work.  And Pfeiffer featured prominently in Coolio's hit music video for the film, "Gangsta's Paradise."

MOVIE #9
Doubt (2008)
John Patrick Shanley adapted is riveting Pulitzer Prize-winning play into a sublimely acted film that keeps the audiences talking.  Screen icon Meryl Streep takes on the polarizing role of principal Sister Aloysius Bouvier as she tries to discover the truth about the new priest at the parish, dynamically played by Phillip Seymour Hoffman.  The film also features brilliant performances from Amy Adams (as the innocent schoolteacher Sister James who is placed in the middle of Streep and Hoffman's battle) and Viola Davis (as the mother of a boy who has problems but may have a "protector" in Hoffman's character).  Shanley's smartly written dialogue is played to full effect by this enigmatic cast.

MOVIE #8
Mean Girls (2004)
Yes, it may very well have been the last "good" film Lindsay Lohan ever made.  And when you have Tina Fey as a co-star and writer, you really can't go wrong.  What this film has, besides a delicious performance from Rachel McAdams, is a sharp-tongued look at the way girls (in particular, High school girls) behave towards each other.  This film is so popular and well-liked that the whole "Mean Girls" idea has become its own thing.  I mean, go to any school and you can spot the group of "Mean Girls" right off! You don't even need a school to find the "Mean Girls" in life.  They're everywhere!

MOVIE #7
The Bells of St. Mary's (1945)
In a sequel to a film I've already spoken about, Bing Crosby dons the collar again as Father O'Malley and this time he plays off of a great performance from the amazing Ingrid Bergman as a strict yet extremely understanding nun who serves as principal of St. Mary's School.  The two give equally good performances and their scenes with the children make the movie funny and extremely poignant.

MOVIE #6
Election (1999)
Like Mean Girls above, this film has a following that at times surprises me.  Not only does this movie cleverly satirize school politics, High school stereotypes and popularity, but it also serves as a kind of cautionary tale.  Reese Witherspoon's over-ambitious and hyperactive Tracy Flick is a character we've seen before and since (look at Glee's Rachel Berry!), but she's also a Type-A personality we see in many of the people in Pop Culture (and dare I say Politics!).  That being said, I did get a kick out of this film when I first saw it and I knew that this role would make Reese Witherspoon a star.

MOVIE #5
Fame (1980)
Growing up in the 80s, I knew several kids who wanted to go to the school featured in Fame.  They wanted to be one of those kids dancing on taxi cabs or playing synthesizers.  The film represents what kids do best and that is dream.  And the kids featured in this movie have big dreams.

MOVIE #4
Blackboard Jungle (1955)
This film certainly was the most controversial in its debut.  Its subject matter and its use of Rock N Roll music certainly put several people up in arms over it.  But the film is a classic and it is pointed to as the beginning of a change in the way films were presented and the way youth are portrayed in films.  It also came out the same year as the James Dean classic Rebel Without a Cause and the two films combined caused a stir that is still felt in Hollywood to this day.

MOVIE #3
Fast Times at Ridgemont High (1982)
Some of the best movies are about a year in the life of a group of people.  And when you're dealing with school as your primary setting, you have a plethora of characters to showcase.  This film features some of the most memorable characters and it has one of the most interesting ensembles in film history.  The (mostly young) cast features Sean Penn (as the iconic Spiccoli), Jennifer Jason Leigh, Judge Reinhold, Ray Walston, Forrest Whitaker, Phoebe Cates and (in smaller roles) Eric Stoltz and Nicolas Cage.  That's a pretty impressive list when you compare it to the likes of Dazed and Confused (which really only has Matthew McConaughey and Ben Affleck in small roles!).

MOVIE #2
Stand and Deliver (1988)
When it comes to films about inspiring teachers, this film was a must in my house.  Edward James Olmos dynamically plays Math teacher Jaime Escalante as he readies his East L.A. students for an important Calculus exam.  He is met with obstacles at every turn, including the reluctance of his students (which include a powerful performance from Lou Diamond Phillips as a rebellious teen).  Olmos' Oscar-nominated performance drives this film to its inspiring end and makes you want to go out and try something new.  Which is exactly what teachers are supposed to do.

AND...
MOVIE #1
The Breakfast Club (1985)
This film is a great favorite in my family.  It features great performances from (at the time) young talent.  It has some great 80s music.  But its story and characters are entirely relatable.  The school not only serves as a setting, but it serves as another character in the plot.  The way the kids interact is because of the school.  The effect that each of the students' roles has on themselves and on each other plays an integral role in the plot.  In a way, it basically IS the plot.  The late John Hughes certainly captured a generation with this film and for those of us who grew up with this generation, it makes for great entertainment.