Wednesday, February 20, 2013

IT'S THE LITTLE THINGS: 2013 Oscar Predictions


It's still Awards Month!  And yesterday, the final ballots were due for the 85th Academy Awards (whether they want to call them that or not!).  So now it is time for me to give my final Predictions in the major categories.  And just like previous years, I like to hedge my bets, so to speak.  I love to tell my readers who I think "Will Win," but then follow with a "Dark Horse" or "Spoiler" (this year being referred to as "But...").  One comment you will see often throughout this article is that this has been one crazy Oscar season (for many different reasons!).  And with a crazy season, nothing is easy and anything can happen.  So let's dive right in with

MY 2013 ACADEMY AWARDS PREDICTIONS

BEST PICTURE
The Nominees: Amour, Argo, Beasts of the Southern Wild, Django UnchainedLes Misérables, Life of Pi, Lincoln, Silver Linings Playbook, Zero Dark Thirty
Category Overview: Just like last year, we have 9 nominated films in the top category.  However unlike last year where The Artist was the early front-runner and pretty much kept that status throughout the precursors, several of this year's nominees have enjoyed that honor in this crazy Awards season.  And now that all the precursor Awards have had their say and it seems like one film has emerged towards the winner's circle, I remind you that in a crazy season like this: anything can happen!
Will Win: Now that it has won ALL the Guild Awards (including the Actors and Writers!), Argo has placed itself into becoming the first film since Driving Miss Daisy (back in 1990) to win Best Picture without even being nominated for Best Director.  It is a favorite of the critics and audiences have rallied around Ben Affleck since his snub from the Director's branch of the Academy.
But...: It's not all over for Spielberg and Company!  Having the most nominations could still have weighed with Academy voters.  Some could feel that with all the Guild wins, Ben Affleck has been sufficiently compensated for the snub and it's now time to be more "traditional."  And as brilliant as Steven Spielberg's gem is, Lincoln does fall into the "traditional" genre that is better known as "Oscar Bait."


BEST DIRECTOR
The Nominees: Michael Haneke, Amour; Ang Lee, Life of Pi; David O. Russell, Silver Linings Playbook; Steven Spielberg, Lincoln; Benh Zeitlin, Beasts of the Southern Wild
Category Overview: With several high profile snubs in this category (Ben Affleck, Kathryn Bigelow, Tom Hooper, Quentin Tarantino and Paul Thomas Anderson), one would think that this would be an easy win for one of Hollywood's biggest power-players.  But as I said earlier, nothing in this Oscar season is easy.
Will Win: Despite a small band of detractors, Steven Spielberg is one of Hollywood's greatest directors and it surprises people that he only has TWO Academy Awards for Best Director (for Schindler's List and Saving Private Ryan).  This is the chance for Hollywood to give him his due and honor him with a well-deserved third Oscar for Lincoln (especially now with the likes of Ben Affleck and Kathryn Bigelow out of the race!).
But...: That small band of detractors are rallying behind Ang Lee and his stunning visual achievements in Life of Pi.  And it is possible that their arguments have swayed some of the Academy voters.  While I still say Spielberg has it in the bag, I wouldn't be too surprised should Ang Lee's name be read on Sunday.


BEST ACTRESS
The Nominees: Jessica Chastain, Zero Dark Thirty; Jennifer Lawrence, Silver Linings Playbook; Emmanuelle Riva, Amour; Quvenzhané Wallis, Beasts of the Southern Wild; Naomi Watts, The Impossible
Category Overview: Wallis is the youngest Best Actress nominee ever and Riva is the oldest (and each are receiving their first nod!).  The other three (Lawrence, Chastain and Watts) are receiving their second Oscar nomination.
Will Win: Jennifer Lawrence was an early front-runner in the category the minute Silver Linings Playbook premiered at the Toronto Film Festival.  With a Golden Globe and a Screen Actors' Guild Award under her belt, the young actress is on her way to Oscar glory.
But...: Lawrence is not the only one here with a Golden Globe Award.  Jessica Chastain, who gave a stunningly brilliant performance in Zero Dark Thirty, won both the Golden Globe and the Critics' Choice Award for her efforts as a determined CIA Analyst.  Though the "torture issue" surrounding the film might have made voters squeamish to give ZDT a high-profile prize.
However...: Both Chastain and Lawrence have lost a few critics' prizes (the National Board of Review and the L.A. Film Critics) and last week's British Film Award (BAFTA) to Amour's Emmanuelle Riva.  The French character actress has been a star in France for several decades and many have pointed out that this is her chance to be honored by Hollywood for her many years in French Cinema (and we know how the Academy loves to give "Career Oscars!").


BEST ACTOR
The Nominees: Bradley Cooper, Silver Linings Playbook; Daniel Day-Lewis, Lincoln; Hugh Jackman, Les Misérables; Joaquin Phoenix, The Master; Denzel Washington, Flight
Category Overview: Phoenix was an early front-runner, but spoiled his chances when he stated his true feelings about the whole campaigning process.  Jackman and Cooper both wowed audiences with their performances and Washington gave his best in a complex role (as he always does!).  But then there's Daniel Day-Lewis.
Will Win: From the moment critics and audiences saw screenings of Lincoln, the writing was on the wall that Day-Lewis would become the first performer to win a third Best Leading Actor trophy.  His performance is so nuanced and brilliant that no one can really compare to him (which is kind of unfair!).  The best description of Day-Lewis came from Entertainment Weekly's Owen Gleiberman who compared his style to a combination of the method attitudes of Marlon Brando and the classical training of Sir Laurence Olivier.  That's a combination that deserves every Award ever made!
But...:  There really isn't one in this category!  It's one of two major categories this year where there is a surefire front-runner from the word "Go."  The only thing that could stop Day-Lewis is a complete and utter shut-out of Spielberg's film.  But then who would the beneficiary of such a shut-out be?  The most likely would be either Jackman or Washington, and both of them have not gained enough traction in any of the precursors to be a real threat (despite Jackman's Golden Globe win!).


BEST SUPPORTING ACTRESS
The Nominees: Amy Adams, The Master; Sally Field, Lincoln; Anne Hathaway, Les Misérables; Helen Hunt, The Sessions; Jacki Weaver, Silver Linings Playbook
Category Overview: All of the actresses in this category have been nominated before (though three of them are new to the Supporting Actress category!).
Will Win: Is there any doubt that Anne Hathaway will win this one?  From the second her voice was heard in the trailer singing the iconic "I Dreamed a Dream" song, pundits placed her at the top of their lists for this category.  Then when the film premiered, critics (even the ones that didn't like the film!) fell in love with her tragedienne performance especially when they discovered she sang the song live in one take!  On top of all that, she has been the most gracious winner at the precursors.  She has given heartfelt speeches and sincere praise to her fellow nominees (especially Sally Field!).  She's become the kind of Oscar contender Academy voters just adore.
But...: Like Best Actor above, if there is a "Spoiler" here, it would be minute.  Sally Field gives a great performance as Mary Todd Lincoln in Steven Spielberg's film.  The fact that she had to fight to keep the role once Liam Neeson backed out of the project is the kind of story Academy voters love.  However, it's a story that is not unfamiliar in Field's career.  Back in 1979, she had to fight to get the title role in Martin Ritt's Norma Rae.  Her endeavors were rewarded with her first of two Academy Awards (the second came for 1984's Places In the Heart, another role for which she "fought").  She's been rewarded enough for fighting for her roles.  It's Anne Hathaway's turn!


BEST SUPPORTING ACTOR
Category Overview: This category is going to work a little differently!  This is the toughest category to predict.  Maybe the toughest ever!  ALL of the five actors nominated are previous Oscar champs (a feat which has never happened before!).  And none of the precursors have been any help to any of the pundits.  It seems like they predict one and then someone else wins.  So I will take you through each nominee and give you the reason why I can see ANY ONE of them taking the prize on Sunday.

  • Alan Arkin, Argo - For many, Arkin was the scene-stealing best part of Ben Affleck's political thriller.  As the Hollywood producer who joins Affleck's CIA Agent in endeavoring to rescue some American Embassy workers from Iran, Arkin has the best dialogue and the best scenes.  He hasn't won any of the precursors, but he's been nominated for every single one.  And with Argo surging forward in the top category, it is not unlikely that some of that love could fall Arkin's way.
  • Robert De Niro, Silver Linings Playbook - Out of all the nominees in this category, his win is the oldest (having won his second Oscar in 1981 for Raging Bull!).  Like Spielberg, it surprises people that De Niro (being the legend he is!) only has two Oscars.  And with his role as Bradley Cooper's tough-talking yet extremely sensitive and caring father, many critics felt that this was De Niro's return to form after years in light/comedic roles (Analyze This/That, Meet the Parents/Fockers, Stardust, etc.).  Actors love this movie (with nods in each of the Acting categories!) and De Niro could benefit from some of that love.
  • Phillip Seymour Hoffman, The Master - Hoffman made himself an early front-runner with his role as a 1950s cult leader in Paul Thomas Anderson's poignant film.  He even won the Critics' Choice Award back in early January.  However with the film falling off the radar and only getting nods in three categories (the other two being Best Actor and Best Supporting Actress!), his chances have dimmed dramatically.  But he is the only contender who won a major Critics' prize.  That may carry weight with some of the Academy voters.
  • Tommy Lee Jones, Lincoln - He won the Screen Actors' Guild Award for his stirring portrayal of abolitionist Senator Thaddeus Stevens.  Some have even said it was hard to tell where Stevens ended and Lee Jones began (which is both a positive and a negative!).  He is the category front-runner with most of the pundits, but he has fierce competitors.
  • Christoph Waltz, Django Unchained - A lot of people felt he should be in the Lead category as he is the contender who has the most screen time in his respective film.  But as he is not the title character, Waltz (my personal favorite!) has been relegated to the Supporting field and has raked in a couple prizes to boot!  Waltz beat his co-star (Leonardo DiCaprio) at the Golden Globes and just last week was honored with the BAFTA in this category.  For someone who at first was not on the radar at the beginning of Oscar season, he has now moved himself in to major contender status.
Will Win: Any one of them could be the winner, but I guess I'll go with the majority (the 27% majority!) and say that Tommy Lee Jones will be the eventual winner.  But I go on record saying that any one of these five names could be read from that envelope by The Help's Octavia Spencer on Sunday night.

Tuesday, February 5, 2013

10 FAVORITES (67): Super Bowl Ad Awards 2013

It's Awards Month!  Each post this month is going to be Awards-related.  Whether it has to do with the upcoming Grammys, BAFTAs or Oscars, or it's a made-up Award relating to something in the popular culture; that's what this month is all about.  Today, I am giving out the Awards for the Best (and Worst!) commercials that were aired during this year's Super Bowl on Sunday.  Every year it seems like the competition for Best Super Bowl Ad gets fiercer and fiercer. It doesn't help that the networks keep raising the price of the ad time (this year CBS charged over $8 million for one ad spot!).  So let's get on with:

THE 2013 SUPER BOWL AD AWARDS

Let's get the Negatives out of the way:
WORST SUPER BOWL AD 2013
Bar Rafaelli and Generic Nerd Kiss - GoDaddy.com
I never expect anything good out of a GoDaddy.com ad, but this was just awful.  What makes this universally panned commercial so terrible is not the fact that a shlubby nerd is getting a make-out session with the gorgeous model Bar Rafaelli, but the disgusting sound effect of said make-out.  Whether it was an effect added afterwards or live recording, it was just unpleasant.

ODDEST SUPER BOWL AD 2013
Come On, Get Hoppy, 'Mon - Volkswagen
The elements of this commercial ultimately seemed like something that came out of the fake writers' room on 30 Rock.  A completely white-bread guy speaks with a Rastafarian accent telling all in his office to "Get Hoppy, 'Mon" all while the strains of an island version of The Partridge Family theme song play in the background.  And yet it's not an ad for Red Stripe Beer or a Caribbean Cruise!  It's an ad for the German-made Volkswagen!  Everyone at my Super Bowl party was just befuddled.  Even the people in the ad are befuddled!

MOST POLARIZING SUPER BOWL AD 2013
And God Made the Farmer - Dodge RAM
Every year there is always one ad that gets completely opposite reactions from the public.  This year, the Dodge RAM ad has that distinction.  Some people really loved it and others really hated it.  I tend to fall more in the latter category (though "hated" may be a bit strong!).  What people loved was the message the first minute and half of this commercial had (that whole "God saw that the land needed tending and so the Farmer was created" thing!).  While that message is fine on its own, inspirational and even patriotic, the pay-off of the ad was just disappointing.  Even if I knew going into the ad that it was nothing more than a car commercial, I still would have wanted more from the people at Dodge than just a prompt to "Join the Movement at Dodge.com" (Whatever the hell that means!).  It would have been much better if the ad had ended with their new Dodge RAM and a promise from the company to donate a percentage of the proceeds to a Farmers' Aid Organization (like Farm Aid!).  But no, they had to be ambiguous and just show off their new truck and use the equivalent of emotional blackmail to make consumers love the ad (seriously, go into a chat room and say something negative about this ad and it will not go over well!).

Now on with the good ones:
BEST SUPER BOWL MOVIE TRAILER 2013
Star Trek Into Darkness (May 17, Paramount Pictures)
Of all the movie trailers that were aired on Sunday, this one teasing the awaited sequel to J.J. Abrams' first Star Trek reboot made geeks everywhere squee with delight!  And I am especially looking forward to what seems like a tour-de-force performance from Sherlock star Benedict Cumberbatch.

BEST SUPER BOWL TIE-IN 2013
Joe Montana Miracle Stain - Tide
The ad is fairly self-explanatory and I don't want to spoil the ending for those who missed it!  Suffice it to say it was a great way to honor one of the most famous San Francisco 49ers and yet throw in a zinger.

BEST USE OF MUSIC IN A SUPER BOWL AD 2013
I Would Do Anything For Love (But I Won't Do That) - M&Ms
Hilarious for the annoying Red M&M to sing MeatLoaf's impassioned '90s power-ballad to Glee star Naya Rivera...and then subject us to all the things the little guy won't do for love.

BEST CELEBRITY PERFORMANCE IN A SUPER BOWL AD 2013
Amy Poehler - Best Buy
There were celebrities abound in this year's Super Bowl ads (Paul Rudd, Seth Rogen, Stevie Wonder, Zoe Saldana, Kaley Cuoco, Willem Dafoe and many more!).  But the celebrity that shined the most was Parks and Recreation star Amy Poehler in this hilarious Best Buy ad with all her questions for this young (and oft-confused!) clerk.  She proves why she is one of the most hilarious women on Television.

FUNNIEST SUPER BOWL AD 2013
Goat 4 Sale - Doritos
Doritos always tend to bring the funny when it comes to their Super Bowl ads (and this year they had two, see the Honorable Mentions below!).  This one that aired during the first quarter was just hilarious and made everyone at my Super Bowl party ROTFL! (Yeah I know, I hate Text-speak too...but here it's appropriate!)

CLEVEREST SUPER BOWL AD 2013
Library Whisper Fight - Oreos
While Doritos get my praise for being hilarious, its Oreos that get my kudos for being clever.  Here, Oreos called upon a joke from a classic Super Bowl ad and gave it a great twist.  By setting it in a Library, the whispering caught the audience's attention especially when juxtaposed against the chaos created by the Cookies vs. Cream fight.

AND..
BEST OVERALL SUPER BOWL AD 2013
Clydesdale and Trainer - Budweiser
It seems like anytime the people over at Anheuser-Busch do one of their popular Clydesdale ads, the quality goes up by like 11!  This one (which seems like a cute parody of the central relationship in Steven Spielberg's War Horse) was poignant, clever, touching and even a little humorous.  It was smart to use Stevie Nicks' classic "Landslide" as the background music (that's the touching part!).  It makes me want to run out and pet a Clydesdale.  This ad was a surefire winner!

HONORABLE MENTIONS

DISHONORABLE MENTIONS (so dishonorable, they don't get links!)
Coca-Cola - The Chase (insipid and full of doofy stereotypes...but in the bad way!)
Subway - Mispronouncing FebruANY (who the hell cares if certain athletes can't pronounce a MADE-UP WORD!!!)
Union Bank - Maya Angelou (similar problem to the Dodge RAM ad, yet a little more offensive to use someone so profound - and talking about profound things! - to promote a bank!)

Friday, January 11, 2013

IT'S THE LITTLE THINGS: 2013 Oscar Nominations - Reaction!


Yesterday, the Academy Award Nominations for the films of 2012 were announced...and let me just say: Whoa!!!  I mean, the prognosticators were thrown for a major loop.  And so were the Oscar record books!  So now, it is time for me to run through the major categories and give you all my (somewhat!) initial reactions to the names that appeared (and didn't appear!) on yesterday's list of nominees.

  • Again with the 9 nominees for Best Picture!  I was fairly sure that six of the nine were guaranteed (Lincoln, Argo, Life of Pi, Zero Dark ThirtyLes Misérables and Silver Linings Playbook) and throwing one more in the mix was not a shock (Django Unchained).  I'm not even surprised by the momentum "outsider" films gained during this awards season (Amour and Beasts of the Southern Wild).  But with this new "between 5 and 10 films nominated" rule the Academy has, if just 9 films get nominated again next year, it will truly feel forced!
  • I am quite surprised that The Master's Joaquin Phoenix didn't ace himself out of a nomination with his very public and very graphic chiding of the process actors are "forced" to go through in order to obtain an Oscar nod (no matter how right he was!).  Unfortunately his inclusion means the exclusion of The Sessions' John Hawkes who, according to many critics, gave one of the best performances of the year (and he had scored both Golden Globe and Screen Actors' Guild nominations!).
  • With 85 year-old Emmanuelle Riva (Amour) and 9 year-old Quvenzhané Wallis (Beasts of the Southern Wild), the average age of the Best Actress nominees falls somewhere around 40 - an age that, in Hollywood, is NOT considered "Lead Actress material!"  How Hollywood has changed!!!  Maybe not that much since either 35 year-old Jessica Chastain (Zero Dark Thirty) or 22 year-old Jennifer Lawrence (Silver Linings Playbook) will most likely be the eventual winner!
  • For the first time (at least that I can currently recall!), ALL of the nominees for Best Supporting Actor are previous Oscar winners: Alan Arkin, Robert De Niro, Phillip Seymour Hoffman, Tommy Lee Jones and Christoph Waltz.  As for a front-runner, it is still a toss-up (although both Phillip Seymour Hoffman and Tommy Lee Jones are the first names mentioned among the critics!).
  • With Jacki Weaver garnering her second Oscar nod for Best Supporting Actress, she helps put David O. Russell's Silver Linings Playbook into the elite club of films that had acting nominations in all four categories (this club includes films like Warren Beatty's Reds, Mike Nichols' Who's Afraid of Virginia Woolf? and Elia Kazan's A Streetcar Named Desire).  Despite all that, Les Misérables' Anne Hathaway is still going to win!
  • Jeffrey Katzenberg must be somewhere licking his wounds.  After the poor box-office performance and mixed reviews of the holiday-themed movie Rise of the Guardians, it was pushed out of the Animated Film category by not one...not two...but THREE Disney films - Brave, Frankenweenie and Wreck-It Ralph.  Good thing Dreamworks has Lincoln carrying the studio banner at this year's ceremony!
  • In the writing categories, it is small consolation that Wes Anderson's critically lauded comedy Moonrise Kingdom got some recognition.  But it's still disturbing that original and creative genre fare like Looper (science-fiction) and Brave (animated fantasy) get ignored.  Also, is there some scientology-themed conspiracy in Hollywood against Paul Thomas Anderson?  Though The Master has lost some awards momentum, many thought he would at least get his fourth writing nomination.  I would also like to point out that I was one of the few people I know that correctly predicted each of the nominees for Best Adapted Screenplay (Lincoln, Life of Pi, Silver Linings Playbook, Argo and Beasts of the Southern Wild).  Just want to get that fact in there, folks!
  • And lastly, what the hell is going on in the Academy's Directors branch!?!?!  Are they afraid of ticking off the CIA so they choose NOT to nominate Ben Affleck (Argo) and Kathryn Bigelow (Zero Dark Thirty)?  Did the mixed reception that Les Misérables and Django Unchained each got from the critics dismay them from including Tom Hooper or Quentin Tarantino, respectively?  Entertainment Weekly's own Owen Gleiberman pointed out that it is odd that FOUR major Hollywood players are excluded from an albeit very crowded category.  Did the branch just clear the way for Steven Spielberg to obtain his third Best Director Oscar?  Maybe!!!
With all this and more going on in Hollywood, it will be an interesting month as the prognosticators try to figure out what the Academy is thinking and what film will be in the Winners' Circle at the end of February.  So let's relax now and listen to Adele has she sings her way to yet another award!


Sunday, January 6, 2013

LET'S REVIEW: A Defense of Les Miz...


It's a brand new year and I thought it would be time to introduce a brand new column.  Occasionally, I will give my readers a review of a Movie, TV Series, Play or Book that is bouncing around in our Pop Culture consciousness.  And to begin, I thought I would open with the long-awaited film adaptation of the mega-hit stage musical Les Misérables, directed by The King's Speech's Oscar-winning director Tom Hooper.  The overall critical reaction to the film has been mixed.  But what I am seeing in most of the reviews, both negative and positive, is a not-so-surprising trend in the critics reviewing it.  The ones who really loved it (and there were quite a few!), were already in love with the musical from it's previous stage productions.  The ones who really loathed it (and there were quite a few!), did not like the stage musical already (which then begs the question as to why their respective publication would have them review the film version, but I digress!).  Now granting the fact that I am enamored with the stage musical already, it is not too far of a leap to believe that I was equally impressed with the film version.  I was.  But that is not to say I do not understand or disagree with some of the criticisms thrown at Hooper's adaptation.  In some of the cases, I see their points.  But in most of those cases, it comes down to typical critical nit-picking.  Is it the greatest stage-to-screen musical adaptation? No; not when films like My Fair Lady, West Side Story, The Sound of Music, Fiddler On the Roof and Chicago exist.  But is it the most disappointing stage-to-screen musical adaptation? Certainly not; not when films like Annie, The Wiz, A Chorus Line, Hair and The Phantom of the Opera exist. These are truly sad when you think of the talented directors behind each of those films: John Huston, Sidney Lumet, Richard Attenborough, Milos Forman and Joel Schumacher, respectively (I know Schumacher can be quite awful, but he's also had some good films!).  So LET'S REVIEW!

First and foremost, let's go through the most crucial thing when adapting a successful stage musical to the big screen: casting.  Casting a big brassy musical like Les Miz is made even harder these days particularly because of the expectations of the audience, the "non-acceptance" of lip-syncing (sorry Marni Nixon!), the boldness of the difficult score and the lack of truly talented "A-List" actors.  All that being said, Hooper could not have found a better Jean Valjean than Hugh Jackman.  For Les Miz (any production!), the strength of it ultimately lies on the shoulders of the actor playing Valjean.  As the central role of the story (which has been adapted more times than any Shakespeare play, thanks to its several French adaptations!), the actor playing Valjean has to run a gamut of emotions from convict to respected factory owner to unexpected father to man-on-the-run to willing revolutionary.  In the musical, add singing difficult songs like "Who Am I?" and "Bring Him Home" and you have a character that is extremely difficult to cast.  But in Hugh Jackman (known to audiences as Wolverine from the X-Men films), Hooper got an actor who uses every piece of himself as both an actor and a performer (he is, after all, a Tony Award-winning musical star!).  His voice is strong, his acting is perfect and his looks (which change throughout the film, spanning 20 years!) match every time.  It is truly the performance of his career.

But Valjean is not the only character crucial to the casting process of Les Miz.  As with most musicals, the female characters become the thing that Broadway purists and fans become obsessed over.  And thanks to the likes of a cherubic singer (and YouTube sensation) named Susan Boyle, the casting of Fantine is almost equally crucial to the casting of Valjean (even though the character only appears in 30 minutes of the entire 3 hour musical!).  Fans love this character (partly because the original 1985 London production cast Broadway legend Patti LuPone as Fantine!).  But once again, Hooper cast the proper person giving the performance of her career.  Anne Hathaway, who has shown her musical chops here and there on film before, truly transformed herself to play the tragic character that is Fantine.  And her rendition of the iconic "I Dreamed a Dream" is overwhelmingly impressive, especially when  you hear she completed the scene in one take (take that Sinatra!).  She IS the front-runner in the Supporting Actress category at every Awards this season (and should obtain an Oscar nod come Thursday!).

With Jackman and Hathaway taking most of the praise (albeit deserving!), most of the critics take their "vengeance" out on some of the other actors in the principal roles.  And in Russell Crowe, unfortunately, they have rather an easy target.  Unlike Jackman and Hathaway, Academy Award-winner Crowe is not extremely well-known for his musical "talents" (he has a rock band, folks!).  He also has never had the friendliest relationship with the press (he's had incidents with papparazzi that make Sean Penn look like a Care Bear!).  And in a role like Javert, expectations are very high (and in Crowe's case, almost unfairly high!).  You see, Crowe is obviously not used to or comfortable with this style of singing (usually known as "recitative").  He uses all of his intense method-acting skills to try to cover his discomfort and sometimes it works (other times...not really!).  But then I think to myself: Who else really could have played this role in this adaptation?  You see, there are certain criteria the studio, the creatives and the audience has in the casting of Javert...and each one's criteria is very different from the other!  Every adaptation of Victor Hugo's novel has a Javert that is of equal caliber in both ability and star quality to the man playing Valjean (since most versions are French, you're just going to have to trust me!).  You  need an "A-List" actor to play opposite Hugh Jackman's "A-List" casting of Valjean.  So run through the list of "A-List" actors in your mind who could: 1) Act the role of Javert (cause let's face it, he needs to be a quality actor!) and 2) Actually sing! And not just sing, but be willing to step outside a "comfort zone" and sing this style of music.  In that last respect, Crowe stepped up.  He's not perfect, which is unfortunate, but he is not so-bad-you-want-to-forget-he-was-cast-in-the-first-place (Gerard Butler, I'm looking at you!).

The rest of the principals fit their roles well.  Eddie Redmayne, who plays the lovelorn Marius, was the biggest surprise with a sweet and lush tenor voice and an emotional quality I rarely get out of most guys who have played Marius.  In the role of Eponine, Hooper took a chance and cast the unknown Samantha Barks (who has played the role on stage in the UK).  She is not only talented but extremely beautiful (which might sometimes work against the Eponine that exists in Hugo's novel, but who cares?!?!).  As the treacherous Thenardiers, Helena Bonham-Carter and Sacha Baron Cohen are well-cast.  I mean, they would be on my list if I were casting (so if you had problems with them, that's on you!).  Broadway star Aaron Tveit gives the Tony-winning role of Enjolras a mix of pretty-boy good looks and strong musical chops.  And as Cosette, Amanda Seyfried is fine (with what she has to do!).  I always feel Cosette gets the short end of the stick in the muscial as far as material goes.  I think that is why I have rarely seen a Cosette that can match the quality of either the original London Cosette (Rebecca Caine) or the original Broadway Cosette (Judy Kuhn).  So with that said, Seyfried (whose voice is surely not as strong as Caine's or Kuhn's) is pretty good and very pretty to watch.

And now on to the criticism that is at the forefront of most of the nay-sayers out there.  In The King's Speech, Tom Hooper used close-ups and the wide-angle lenses to give us the "fishbowl" quality of a royal life.  And even there, some people didn't like it.  In Les Miz, Hooper once again uses a ton of close-ups and strange angles to give us an intimate quality that he feels balances against the epic quality of the original story (and stage production!).  But I am going to venture another theory as to why this technique works and why Victor Hugo himself would have loved it.  With all the close-ups and strange tilted angles, we the audience feel extremely like a fly on that "fourth wall" that exists in both the theatre and the movies.  The audience is shoved right into the action and is right up close to the peasants and convicts and thieves and revolutionaries and whores of Hugo's world.  And Hugo would have wanted it that way.  The point of his original novel, Les Misérables, was to shove this world of poverty right in the faces of the bourgeoisie he so loathed in many of his works.  These close angles are supposed to give intimacy and a certain level of discomfort.  Hugo would have wanted nothing less.

So to all the negative critics out there, I say this is a great musical film adaptation that should be viewed by both fans of the original and those who are not familiar with the material.  I would love to see it on Oscar's list of Best Picture nominees come this Thursday!



Sunday, December 23, 2012

CHRISTMAS SPECIAL! - The 12 Days of Pop Culture

For my final post of 2012, I thought I would do something special for Christmas (as it is in two days!).  I wanted to go through some of the things our wonderful Pop Culture has given us that are influences in my life.  Some of them are franchises, some of them are TV shows and some of them are just good plain fun!  So without further adieu, here is my special:

THE 12 DAYS OF POP CULTURE!

ON THE 12TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
12 Star Trek Movies
There is a theory that certain Star Trek films (Wrath of Khan, Undiscovered Country, First Contact) are better than others (The Motion Picture, Generations, Insurrection).  And though I don't really disagree, overall I would say this franchise has certainly made me quite happy (flaws and all!).  And with the 12th Trek film (Star Trek Into Darkness) coming out in Summer 2013, I will certainly be one of the "Trekkies" standing in line on opening day!

ON THE 11TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
11 Disney Princesses
Growing up with Disney as a major influence in my life, I certainly cannot ignore the numerous Princesses they have in their film line-up.  It was in the early 2000s though that someone in the Disney Marketing Department decided to turn these singing ladies into a diabolical money-making franchise.  They started with six initially (Snow White, Cinderella, Sleeping Beauty, Ariel, Belle and Jasmine).  They soon added Pocahontas and Mulan to the mix (despite the former only "technically" a Princess and the latter not being one at all!!!).  With the recent releases of The Princess and the Frog and Tangled, in came Tiana and Rapunzel.  And now with the Disney/Pixar flick Brave, lead character Merida will be added to the group come the new year.  (For those who agree with me and don't like counting Mulan, you can throw Enchanted's Gisele in her place despite that being mostly a live-action Disney film!)

ON THE 10TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
10 Seth MacFarlanes
It seems like Seth MacFarlane is everywhere now!  He had a hit movie over the summer (Ted) and will be hosting the 2013 Academy Awards (censors be on guard!!!).  And, of course, we cannot forget his immensely popular TV empire: his FOX Animated sitcoms Family Guy, American Dad! and The Cleveland Show.  Within this empire, MacFarlane himself voices 10 regular characters on all three shows together.  On Family Guy, he voices Griffin family members Peter, Brian and Stewie along with neighbor Glenn Quagmire, Carter Pewterschmidt (Peter's father-in-law), newsman Tom Tucker and Quahog's resident physician Dr. Hartman.  On American Dad!, he voices lead characters Stan Smith and alien Roger; while over on spin-off Cleveland Show, he voices neighbor Tim the Bear (if you've never seen the show, don't ask!).  That's a lot of personalities for one man to have inside him (and yes, I know what I just said!).

ON THE 9TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
9 Christmas Specials
In my childhood, Christmas was a time to watch some great Holiday TV.  And there were 9 Animated ones that were musts in my family.  There was A Garfield Christmas and A Claymation Christmas Special that were new during my childhood.  There were always the Rankin/Bass specials, of which 3 were the best: Rudolph the Red-Nosed Reindeer, Santa Claus Is Coming to Town and Frosty the Snowman.  There were two very important Animated versions of Charles Dickens' A Christmas Carol: Mr. Magoo's and Mickey Mouse's. But the two that were the most important were Dr. Seuss' classic How the Grinch Stole Christmas (not the Jim Carrey one!) and the beloved A Charlie Brown Christmas.

ON THE 8TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
8 Harry Potters
He's protected a stone, escaped a secret chamber, hidden a prisoner, "gobletted" his way through a tournament, joined an order, studied a half-blood prince and even faced death itself.  No matter how you cut it, we're just wild about Harry Potter!  Though J.K. Rowling only wrote 7 books, the people at Warner Brothers decided to split the final book into two installments.  Therefore, they gave audiences 8 chances to put the boy wizard with the lightning scar and his friends in film franchise history as the biggest money-making movie series of all time.  However, this has now spawned a bunch of copycats in that they want to split a book (or a series' final book) into two or three films (see Twilight, The Hunger Games and The Hobbit!).

ON THE 7TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
7 Star Wars Movies
Growing up, George Lucas' first three Star Wars films (Episodes IV through VI, if you're counting!) were like a religion in my household (thanks to my brother!).  And while the prequels have gone down as paling in comparison to the glory that is the original trilogy, I was still there on opening day of all three of those bastards!  And even though the Animated Clone Wars film made me want to throw an Ewok off the Endor moon, I'm still excited by the possibility of yet another Star Wars movie now that Disney has picked up the franchise and future development rights.

ON THE 6TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
6 Different Bonds
I already spoke this year about my appreciation for the James Bond films.  And on that list, there was at least one film of each of the six actors who have taken on the role of the superspy (especially in George Lazenby's case!).

ON THE 5TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
5 Muppet Show Seasons!
This one is fairly self-explanatory (and if it isn't, you can all brush up on your Googling!).

ON THE 4TH DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
4 Jack Sparrows
Who knew Disney could manage to make a lot of money and some pretty exciting films (though the fourth one is kind of a tedious vehicle!) based on a singular Disney ride?  The popular attraction has now resurrected Johnny Depp as a bankable movie star and produced some very interesting characters (from Orlando Bloom's Errol Flynn-like Will Turner to Keira Knightley's lovely Elizabeth Swann or Geoffrey Rush's opportunistic Barbosa to Ian McShane's wicked Blackbeard!).

ON THE 3RD DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
3 Frodo Films
With the first of Peter Jackson's three Hobbit prequels out this month, I was greatly reminded of Jackson's brilliant trilogy which basically began the 21st Century.  All three films got nominated for the Best Picture Academy Award in their respective years and the final installment triumphed in winning all 11 of the categories for which it was nominated (including Best Picture!).

ON THE 2ND DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
2 Brothers Grimm
This one has a double meaning!  It is true that there were two Grimm Brothers (Jacob and Wilhelm) who helped to popularize the classic folk and fairy tales for Western Culture.  And it has been said that the two brothers were completely different in personality.  It is believed that elder brother Jacob, the philosopher, had an affinity for the darker side of the tales; while younger brother Wilhelm had a yen for the romantic side of them (as Romanticism was becoming quite popular throughout Europe at the time!).  And now it seems that things have come full circle as two extremely popular and extremely different drama series air on TV.  On NBC, Grimm modernizes the tales and fits them more into a dark and gritty crime procedural that Jacob might have enjoyed.  Meanwhile over on ABC, Once Upon a Time's modernization is mixed with the romanticism (and serial soap opera-style) of the fairy tale world that would have appealed to young Wilhelm.


AND..
ON THE 1ST DAY OF CHRISTMAS, POP CULTURE GAVE TO ME...
A Road Made of Yellow Brick!
And what Holiday season would be complete without a trip over the rainbow?  During my childhood, L. Frank Baum's glorious and magical land of Oz was quite a favorite of mine.  It was brilliantly showcased on the big screen in 1939's classic movie musical (a gem for all to see!) and has been adapted in several ways from books (novels and comic books!) to the stage (see Wicked!).  Sometimes I feel all I need is a walk down a Yellow Brick Road to make me feel in good spirits.  Perfect for any season (Holiday or no Holiday!).

HAPPY CHRISTMAKWANZUKUH!
AND SEE YOU ALL NEXT YEAR!